5/10
The most famous movie trailer words of
all time are, “In a World…” Always
spoken by a baritone male voice injected with extra bass and testosterone,
there are no words more well-known than these to kick off a preview. Why no booming female voiceovers for
trailers? Tradition perhaps? Did the studios conduct research and learn
audiences prefer male voices? Or does it
all come down to sexism aka this is a man’s territory?
Writing and directing her first feature
film, Lake Bell uses comedy to address what she sees as a glaring lack of
female presence in the voiceover world.
Carol (Bell) is in her early-30’s, lives at home, and bugs strangers
with her voice recorder to study their accents.
Carol’s dad, Sam (Fred Melamed), is one of the most sought after
voiceover artists in the business and is looking to hang it all up since he is
due to receive a lifetime achievement award in a few days.
Sam invites his new and much younger
girlfriend (Alexandra Holden) to move in and kicks out Carol. He tells her he is doing her a favor
otherwise she will never get out into the world on her own. Carol moves straight to her sister’s couch
and flutters around her small apartment as her brother-in-law (an excellent Rob
Corddry) edits reality shows from home.
There are other supporting characters
moving in and out of Carol’s sphere including Gustav (Ken Marino) whom Sam is
backing to be his heir in the voiceover world and Louis (Demetri Martin) who
may or may not be a romantic interest for Carol. In a World... follows conventional
romantic comedy formulas; therefore, each character will have his or her
obstacle to overcome by the end of the film and everything should be wrapped up and
presented with a tiny bow before the feel good ending.
Carol accidentally steals a trailer
voiceover away from Gustav, then sort of sleeps with Gustav, who tells Sam
about this girl he nailed at a party, and Louis hears about it and gets
jealous, etc… Yes, the standard
misunderstanding and love triangle business.
What saves In a World... from being a forgettable throwaway are Carol’s
sister, Dani (Michaela Watkins), and her sad sack husband Moe. They have been married a long time, are in a
rut (at least Dani is), and may be susceptible to wandering eye
symptoms. Their relationship is the
movie’s only believable pairing and holds our interest for its limited, but
enjoyable, screen time.
A noticeable annoying quirk, for a film
about powerful voices and precise diction, are way too many conversations where
the characters stutter-step, hang their words, or just plain talk over one
another. Just about everyone acts overly
awkward and twitchy, especially Carol.
Her verbal calamities wear on your nerves after a while until you wish
she would just speak a simple declarative sentence without tripping all over
herself. For a vocal coach, she has
atrocious conversation skills.
Kudos to Bell for showing us a world we
rarely see, the behind-the-scenes voiceover work, and for bringing along her Children’s
Hospital co-stars, Corddry and Marino, but I hope next time she brings
less idiosyncratic quirk and tighter direction behind the camera.
Directed by: Lake Bell
Written by: Lake Bell
Starring: Lake Bell, Rob Corddry, Alexandra Holden, Eva Longoria, Ken Marino, Demetri Martin, Fred Melamed, Tig Notaro, Nick Offerman, Michaela Watkins, Geena Davis
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