3/10
Martha Marcy May Marlene continuously cuts back and forth
between past and present. However, the
audience could have used a lot more past and a bit more present to help
understand more about Martha (Elizabeth Olsen).
The past shows Martha’s introduction to a reclusive cult deep in the
Catskill Mountains in upstate New York.
The present reveals it is two years later, Martha has decided to escape
the cult, and shacks up with her sister and brother-in-law in an upscale
Connecticut lakeside community.
First time feature writer/director Sean Durkin is a bit
manipulative with his script and shot choices.
Frequently, you have to wait a moment or two to figure out if this new
scene is in the past or present; it shows early on he is going to play with
your mind to make you guess what it is until a character walks on screen. This mirrors what is supposedly going on in
Martha’s head; she is having some major psychological trouble differentiating
between her present surroundings and her experiences from the past two years.
It is up to the audience to interpret how Martha wound up in
the company of the cult; the film does not show you that. Also, Martha must be extremely naïve,
gullible, or downright accepting of cultish behavior because her assimilation is
quite easy. Sharing beds, clothes,
household chores, and each other’s bodies comes quite naturally to her. Even after a drugging and rape, Martha just
shrugs it off as her introduction to the ‘family’. Through conversations with her sister in the present,
you learn mom died young and dad is never mentioned but her early childhood
experiences do not sound very much like they were setting young Martha up to be
swallowed up by rapist farmers.
Back to the manipulation.
Both segments, past and present, start very much in serene
settings. The commune Martha joins is very
accepting, calm, and the people provide a lot of compliments about her strong
character and leadership skills. The
present segment is on a beautiful lake in a gigantic house with supportive
relatives. Then each respective scene
adds an unsettling layer until by the end, these troubling and disturbing
layers feel crushing. Events at the
commune upset Martha to the point of breaking down and events in the present
lake house are all of Martha’s doing because she has brought some extreme
paranoia and cascading delusions with her after her escape.
I do not recommend this film. The director made some creative editing
choices and is very effective at building suspense, but that is all it is. The ability to muster unrelenting suspense
and dread is not the only element to make an effective movie. I became very tired of watching Martha heap
abuse and vitriol at her relatives who put up her ridiculous behavior much
longer than most people would. I also
grew impatient watching Martha get sucked into a cult through outrageously
obvious maneuvers.
Why is the film world falling in love with Martha? Almost every critic lauds its suspense and
acting, Durkin won Best Director at Sundance, and it was included in the Cannes
Un Certain Regard section. For Elizabeth
Olsen, it was a very impressive first role, but I disagree that she has done
anything amazing here. She spends the
majority of the movie just looking sheepish around John Hawkes and annoyed at
her relatives.
Break out of the spell Martha Marcy May Marlene is trying to
ensnare you in. Perhaps it is a cult
itself and you do not realize how deep you are being manipulated by it until
the preposterous and absurd ending.
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