2/10
Here is how I imagine this hypothetical sequence of
events. Screenwriter Lee Hall, best known for the Billy
Elliot script, sat down and read Nigel Slater’s autobiography. Hall loved it so much that he sat down and turned
it into a screenplay named Toast. This is not unusual since the main characters
in Billy Elliot and Toast are very similar.
BBC One bought it instead of a film studio which should be clue number
one that Toast was not going to be a potential Billy Elliot sequel. They hired a director, S.J. Clarkson, mostly known for directing TV episodes on both side
of the pond such as EastEnders and Dexter.
Most surprising and most perplexing, the BBC and the Toast script were
able to attract acting talent, most notably Helena Bonham Carter.
What did Carter see in this script? She took time out of her life the very same
year both Alice in Wonderland and The King’s Speech hit theaters to
slap on ill-fitting kitchen attire and help bring the life and times of Nigel
Slater to the world. Nigel Slater is a
British food writer most notably for the Observer and previously for Marie
Clair. He was born in the Midlands to
repressed, but somewhat wealthy, parents who did not dedicate much time and
effort into the domestic side of life.
Nigel’s mother played by Victoria Hamilton seems to have no experience in the kitchen
whatsoever as she puts actual cans of food into boiling water and at the same
time sucks on an inhaler to indicate to Nigel and the audience that something
is not quite right. Nigel’s father, Ken Stott, disappears to some sort of
job during the day and returns home with few kind words for his son and prances
on eggshells around his wife. When he
tells Nigel to do something, the reason behind it is usually, “Do it for your
mother” although Nigel cannot quite make sense of why eating a miserable ham
would benefit his mother very much. Most
conversations between Nigel and his father end in the exclamation, “You stupid,
ignorant boy.”
Not surprisingly at all given the overt setup, Nigel’s mom
dies early in the film and then men are left to their own selves. This does not last very long before Helena
Bonham Carter shows up as Mrs. Potter, the new house cleaner. Nigel sees straight away that the lady from local
council housing has set her eyes on their nice house and well to do Mr.
Slater. She goes above and beyond mere cleaning;
she starts to darn socks and even cook.
The allure and mysteries of cooking are a subplot so far as Nigel has
never seen anyone make a proper meal before but is wise enough to recognize and
agree with the axiom, “the way to a man’s heart is through his stomach.”
Mrs. Potter knows this proverb all too well. Pies, turkeys, and potatoes all start to
regularly appear on their dinner table, items which had never been there
before. Nigel begins home economics
training, at the expense of his popularity, to match wits with Mrs. Potter in
the kitchen. His motivation for doing so
is not clear. Is it jealousy for his
father’s affection? Does he despise Mrs.
Potter so much that the one way he thinks he can get her fired is to be a
better cook than she is?
The Mrs. Potter character is one of the main reasons Toast
is a truly horrible film. In Nigel’s
eyes, she is the epitome of evil; however, to every other rational human being
and the audience, she is a normal woman who truly seems to take a shine to his
father and even Nigel himself, although he is a true brat to her every chance
he gets. She may latch on to the
possibility of climbing the social ladder a bit too readily, but she is not
mean. She shoulders all of the domestic
responsibilities of the home and never once hits little Nigel and never even
gets in a shouting match with him.
Nigel’s hostility wears on the audience very quickly and
after a bit, just seems tired and out of place.
Nigel is played by newcomer Oscar
Kennedy as an eight year old and by Freddie
Highmore (Charlie & the Chocolate Factory, Finding
Neverland) as a teenager. His
animosity never recedes and by the end, I was absolutely fed up with watching
him. The interactions between Nigel and
his father and between Nigel and Mrs. Potter do not work. I am incredulous that anyone, especially an
actress of Helena Bonham Carter’s caliber, would read this script and agree it
would be a good idea to turn it into a film.
Stay away from Toast at all costs. Even though it is based on an autobiography,
it is ridiculous, monotonous, and worst of all, despising all of the characters
on the screen is no way to enjoy a film.
In fact, Toast is a film to endure rather than to enjoy.
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