3/10
The ancient Greek mythological realm is ready made for
Hollywood script writers. There are
seething rivalries, petty jealousies, jilted lovers; pretty much every conflict
known to man is already pre-packaged with at least a few immortal deities to go
along with it. Even with all of this
rich material, Wrath of the Titans chose ‘daddy issues’ as its central
conflict and plot instigator. When you
are dealing with names as powerful as Zeus, Hades, Ares, and Perseus, daddy
issues cannot be the first story idea which jumps to mind.
Oh, where to begin to describe this ridiculous story. Perseus (Sam Worthington) and his son, Helius
(John Bell), reside by the sea as fishermen and seem to be living an enjoyable,
yet isolated, life. Perseus’s dad, Zeus
(Liam Neeson), drops by seeking his son’s help warning of dark days to
come. Perseus, ever mindful that daddy
did not pay him very much attention as a child, refuses and sends Zeus on his
way. Zeus meets up with another of his
sons, Ares (Edgar Ramirez), to go and meet Hades (Ralph Fiennes) in the
underworld to see what is making all of the trouble. Oops, Zeus’s poor parenting strikes
again. Ares, jealous of his father’s
love for his half-brother, Perseus, teams up with Hades, also jealous of Zeus, and
starts torturing Zeus and tries to wake up Zeus’s daddy, Kronos.
This script received thumbs up from the green lighters? This is Hollywood’s big budget mythological
movie this year? Daddy didn’t pay
attention to me; daddy likes my brother more than me, so now I feel like
destroying half of the world. Oh, and
the Gods are starting to lose their powers.
Why, because humans do not prey to them anymore. It turns out that the Greek Gods are like
fairies in Peter Pan. If you do not
believe in them and clap your hands, they fall down and die.
Here comes Perseus to save the day. First, though, he must put together an ad hoc
band of heroes to travel down into the underworld and set things right. He picks the beautiful Queen Andromeda
(Rosamund Pike) who is required to look good with some dirt smeared on her
cheeks rather than to provide any useful qualities to the group. Perseus also picks up another demigod, Agenor
(Toby Kebbell), a son of Poseidon.
Agenor appears to be an ancient Greek version of Russell Brand. Together, this disparate group encounters
Cyclops, the God Hephaestus (an annoying Bill Nighy), the Minotaur, and evil
creatures which have two torsos wielding four swords but share the same
legs.
There are plenty of technical special effect achievements to
marvel at though. The Cyclops are very
well done as is Kronos who after being turned to stone for so long lets the
lava flow. Those leg-sharing double
torso guys are also pretty intriguing to watch as they swivel around chopping
up tiny humans. The editing process
would have benefited from a bit of a leash though; Perseus’s fight with the
Minotaur is almost impossible to watch and as a result, the audience never gets
a very good look at the monster. There
are just way too many cuts in that scene to make it seem incredibly
frantic.
Wrath of the Titans is a misleading title. It should be called, “The Titans’ Offspring
Cannot Move Past Their Childhoods and as a Result, the Puny Humans Must
Suffer.” Last fall’s Immortals
is superior in comparison because the character’s motives are more
understandable and the Gods seem almost normal instead of caricatures inside a
soap opera melodrama. Do yourself a
favor and stay far away from Wrath of the Titans.
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